Please have patience with disconnected links and the lack of new content on my website. I'm redesigning the format and adding new material. With a little time and good luck, I'll soon be back better than ever!
1.What is the working title of your book?
Night Spark: The Zoe Poems
2.Where did the idea come from for your book?
In the early 1990’s I was reading John Berryman’s The Dream Songs. Coincidentally I met Tom Lux at the Rosenbach Museum where he read in a program sponsored by APR and he suggested I consider attending a workshop that he and Marie Howe were offering at Martha’s Vineyard. I decided to go there and when I read the stunning beauty of Howe’s work and then heard her read, I recognized the need her poetry was fulfilling: 1) in participants whose experiences were similar to hers and 2) in other listeners being made aware of this—up till Sharon Olds, probably—taboo subject— child sexual abuse.
Here's Joseph's interview, answering the same ten questions as all the authors involved in this "round-robin interview" project. Joseph's poems have appeared widely in print and online literary magazines. His latest book, As Is, earned an Editor's Choice award from iUniverse.
Name of book: As Is: Selected Poems of Joseph Dorazio
What is your working title of your book (or story)?
As Is: Selected Poems of Joseph Dorazio
Where did the idea come from for the book?
From my interest in treasure hunting at yard sales, flea markets, rummage sales, etc.
What genre does your book fall under?
Which actors would you choose to play your characters in a movie rendition?
Jackie Gleason, John Candy - I like funny fat guys.
What is the one-sentence synopsis of your book?
Poetry that stimulates the imagination and offers a quirky perspective on the commonplace.
The Next Big Thing @ Tree Riesener
First of all, I have to thank the brilliant and prolific Susan Tepper for inviting me to be part of this “writers’ chain letter.” It’s such a great way to link the current projects of a lot of writers, so I hope you’ll follow links backward and read a lot of interviews as well as following the links forward at the end of this interview on the dates announced for the next interviews.
What is the working title of your book (or story)?
The book is called Sleepers Awake.
That title is resonant, of course, echoing as it does such diverse applications of the phrase as John Ashberry’s delightfully humorous poem of the same name that addresses the sleeping foibles of many iconic writers, the Ohio rock band, of course Bach’s glorious Sleepers, Awake! A Voice is Calling, all of which tap into the verse from Ephesians, 5:14, which actually says “Wake up, O Sleepers.”
My usage is referring to spies living in deep cover who do nothing to communicate with their shadow bosses and don’t even look around to see what’s going on. They acquire jobs and identities and blend into everyday life as normal citizens. The idea is that when their hidden employer invades, they will wake up and help defeat the country.
My deep agents, my sleepers, are demons that Satan has placed on earth to await the final battle when Satan hopes to take over the earth.
In the meantime, my sleepers marry, have a good time, buy expensive coffee makers and fall in love.
Hidden River Arts is extremely pleased to announce Tree Riesener as the winner of the first annual Eludia Award, for a first book-length unpublished novel or collection of stories. The prize is open to women writers age 40 and older, who do not yet have a book-length publication of fiction. The winning manuscript will be published by our imprint, Sowilo Press, and our author will receive $1000 plus ten copies of the published book. Because of the wonderful response and exceptional quality of work submitted, we also have an extensive list of semi-finalists and finalists for the competition. Congratulations to all our writers. The talent and brilliance of all of those who have shared their work with us is simply overwhelming.
We’re going to start with Lightning Writing today.
Remember the joy of writing with invisible ink when you were a kid? You’d buy this ink at a novelty store and write in it.Nothing would appear on the page but when you held it up to a light bulb, the words would appear.
You can use a technological equivalent for those days when the censor is sitting on your shoulder and you’re lingering too much on what you’re writing instead of trusting yourself and moving ahead.
The idea is to write in a text you cannot see or cannot understand but which you can easily change back to your normal black Times New Roman (or whatever) on a white background.
Okay, ready to go?
First, change your font color to white with the selection tool in the upper right corner of the toolbar area. Begin to type.You will see . . . NOTHING!
This is a wonderfully freeing way to write. You will feel a closer connection between your brain and your fingers when you write without the in-between appearance of the printed text.Your thoughts will fly freer. You can come back and censor, tweak, re-arrange later. That’s the part of writing that should come later, divorced from the act of creationg. Give it a try.
Now that you know how to do this, be really brave and start a folder in which to save your unseen writing. Don't peek. It’s okay to give it a retrieval name you can see. You’ll want to call it up later, select the text, and change it to black.
After writing something, I always put it “in the drawer” for a few days, at least, or better, a few weeks before I come back to it. My mind will have been working on it in another way and my thoughts and eye are sharper to revise.
I’m going to give you a few days to try this and then I’ll post again, with some exciting variations.
After reading The Best Exotic Marigold Hotel, I went to see the movie. Both were interesting. Having read them close together, I was very aware of the differences. Book to film is something I always find fun to analyze. I immediately liked the beginning of the film better than Deborah Moggach’s book, although she’s a great writer and I love her stuff. The book started with a fairly long exposition of the troubles a daughter and son-in-law were having with her randy, flatulent, belching, selfish old dad, who in the film became a still randy old man but someone in search of love and companionship and a fairly attractive human being, very vulnerable. The beginning of the film? Well, think Canterbury Tales. Each character is introduced before they begin their journey together (not the flight to India but the journey in the hotel toward whatever peace or pain they are going to find in their final years). Although Chaucer’s pilgrims went on pilgrimage to holy shrines for expiation of sin (as well as a nice road trip, different food, and good company), the main sin of the pilgrims here and the reason for their residence at the Marigold was financial improvidence or other problems that left them unable to afford England. The movie is billed as dealing with the trials of old age but I think it’s more about how we allow or forbid cultures to change us, whether the cultures are foreign countries or different micro-cultures we encounter as we travel through life in our own countries. I loved a sentence that was repeated several times during the movie, especially by the endearing, ever optimistic young proprietor of the Marigold: Everything will be all right in the end and if it’s not all right, it’s not the end yet. I can live with that.
I've just added a new service to my blog, which you will find by following this link or going to treeriesener.blogspot.com. All you have to do is enter your e-mail and you'll get every new post. I hope a lot of you will establish a relationship with me this way!
I found this article interesting because I still buy hardcover books, beautiful books, books with lovely paper and illustrations, nice fonts but I find I look for a Kindle copy instead of buying a cheap paperback. MOBIZ: The end of traditional paperback books